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1. The Producers Movie Soundtrack
2. The Producers Movie 1968

Disney's 2013 TV movie Teen Beach Movie tells the tale of a teen couple who are about to go their separate ways, but wipe out while surfing one last wave together and are magically transported back in time and space to end up as a part of a '60s beach movie that one of the teen's dead mother adored. Once there they begin affecting the plot as they interact with the characters and try to get back to reality. The soundtrack for the movie begins in modern times, with a bouncy, very modern-sounding pop song sung by female lead Maia Mitchell, before heading back to the surfy, rocking sounds of the early '60s. The album hits all the era's highlights, copping sounds from the Beach Boys, girl groups, early rock & roll, and surf music, while letting the teenage stars show off their talents. Both Ross Lynch (of Austin & Ally fame) and newcomer Mitchell have really strong voices and put the (sometimes dorky, even for a beach movie homage) lyrics across well, while Grace Phipps gives the girl group-influenced 'Falling for Ya' some real yearning soul. Elsewhere there are sweet ballads, good-time rockers (that sound more Grease-inspired than Elvis-inspired), and bopping love songs that move the story along and are also a bunch of fun. There's even a song, 'Like Me,' that deals with the different approaches to dating taken by teens from the two eras. The record has a slick, modern sheen but the producers pay attention to detail and add all kinds of nice touches that will warm the hearts of old-timers and maybe turn a few kids on to the Beach Boys. Overall, Teen Beach Movie is a fun soundtrack that features a very game and talented cast and has an easygoing charm and sugary niceness that are very hard to dislike.

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• The album features the film’s original score music by GRAMMY® Award-winning, multi-platinum international music icon, business entrepreneur and motivational Armando Christian Perez, aka Pitbull, and his long-time Grammy-winning producer Jorge Gomez. The project marks Pitbull’s first assignment scoring a motion picture soundtrack.

The Producers is a 2005 American musicalcomedy film directed by Susan Stroman and written by Mel Brooks and Thomas Meehan based on the eponymous 2001 Broadway musical, which in turn was based on Brooks's 1967 film of the same name starring Zero Mostel, Gene Wilder and Andreas Voutsinas. The film stars an ensemble cast led by Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell, Gary Beach, Roger Bart, and Jon Lovitz. Creature effects were provided by Jim Henson's Creature Shop.

The film was released in the United States by Universal Pictures in a limited release on December 16, 2005, followed by a wide release on December 25. It garnered generally mixed reviews from critics and was a commercial failure, earning $38 million worldwide from a $45 million budget.^[2]

• 2Cast

Plot[edit]

Following the flop of theatre musical Funny Boy (based on William Shakespeare's Hamlet) ('Opening Night'), the show's washed-up producer, Max Bialystock, hires the neurotic Leo Bloom as his accountant. While studying Max's books, Leo notes that as a flop is expected to lose money, the IRS will not investigate the finances of failed productions. Leo jests that by selling an excess of shares and embezzling the funds, a flop could generate up to $2 million. Max asks for Leo's help with the scheme, only for the latter to refuse ('We Can Do It').

Returning to his old accounting firm, Leo starts fantasizing about being a Broadway producer ('I Wanna Be a Producer'). Leo quits his job and forms 'Bialystock & Bloom' with Max. Searching for the worst play ever written, the duo finds Springtime for Hitler, a musical written by an ex-Nazi named Franz Liebkind. Max and Leo, in order to acquire Franz's rights to the musical, perform Hitler's favorite song and swear the sacred 'Siegfried Oath' to him ('Der Guten Tag Hop-Clop').

In order to ensure the play's failure, Max and Leo meet failing, flamboyant director Roger De Bris and his assistant Carmen Ghia. Roger is reluctant to direct, but when Max and Leo suggest he could win a Tony Award, he agrees on the condition that the play be more 'gay' ('Keep It Gay'). Back at their office, a Swedish woman named Ulla appears to audition. Although Leo points out that they have not started casting, Max hires her as their secretary until they audition her later ('When You've Got It, Flaunt It').

To gain backers to fund the musical, Max has dalliances with several elderly women ('Along Came Bialy'), allowing him to raise the $2 million. Leo laments about the dangers of sex distracting him from his work, and shares a kiss with Ulla ('That Face'). At auditions for the role of Hitler, Franz, angered at a performer's rendition of a German song, storms the stage and performs it himself ('Haben Sie gehört das Deutsche Band?'). Based on the performance, Max hires Franz to play Hitler.

On opening night, as the cast and crew prepare to go on stage, Leo wishes everyone good luck, to which everyone warns it is bad luck to say 'good luck' on opening night, and that the correct phrase is to say 'break a leg' ('You Never Say Good Luck on Opening Night'). Franz leaves to prepare and literally breaks his leg in a fall. Max enlists Roger to perform the role in his place, and Roger accepts.

As the show opens, the audience is horrified at the first song ('Springtime for Hitler'), and people begin leaving out of disgust until Roger enters as Hitler ('Heil Myself'). Roger, playing Hitler very flamboyantly, causes the audience to misinterpret the play as satire, resulting in the show becoming a smash. Terrified the IRS will learn of their crimes, a dispute breaks out between Max and Leo, but stops when Roger and Carmen come into the office to congratulate them. Furious at Roger for making the play successful, Max angrily confronts Roger for his actions, and even goes as far to physically torture Carmen when he tries to defend Roger. Franz then appears and attempts to shoot all four of them for breaking the Siegfried Oath by mocking Hitler, only to attract the police. As Max and Franz attempt to evade the police, Franz breaks his other leg.

Arrested for his tax fraud, Max is imprisoned while Leo elopes with Ulla to Rio de Janeiro ('Betrayed'). About to be sentenced, Max is saved by Leo, who returns to defend him (''Til Him'). The judge, realizing Max and Leo are inseparable, sentences them both to five years at Sing Sing Prison with Franz. Writing and producing a new musical in prison ('Prisoners of Love'), Leo, Max, and Franz are pardoned by the governor for their work, allowing them to collaborate with Roger and Ulla and release Prisoners of Love. The play's success means Max and Leo go on to become successful Broadway producers.

In a post-credits scene, the cast sings 'Goodbye!', telling the audience to leave the theater.

Cast[edit]

• Nathan Lane as Max Bialystock
• Matthew Broderick as Leopold 'Leo' Bloom
• Uma Thurman as Ulla Inga Hansen Benson Yansen Tallen Hallen Svaden Swanson (later Bloom)
• Will Ferrell as Franz Liebkind
• Gary Beach as Roger De Bris
• Roger Bart as Carmen Ghia
• Jon Lovitz as Mr. Marks
• Michael McKean as Prison Trustee
• David Huddleston as Judge
• Richard Kind as Jury Foreman
• Eileen Essell as Hold Me-Touch Me
• Debra Monk as Lick Me-Bite Me
• Andrea Martin as Kiss Me-Feel Me
• John Barrowman as the Lead Tenor Stormtrooper
• Brent Barrett as Brian
• Peter Bartlett as Kevin
• Jim Borstelmann as Scott, Donald Dinsmore
• Kathy Fitzgerald as Shirley Markowitz
• Ronald Rusinek as Jack Lepidus
• Jason Antoon as Jason Green
• Marilyn Sokol as Bag Lady
• Danny Mastrogiorgio as Jail Guard
• Mel Brooks as himself, voices of Tom the Cat, Hilda the Pigeon and German Soldier

Ernie Sabella, Nathan Lane and Matthew Broderick's co-star from The Lion King, makes a brief appearance in the deleted song 'You'll Find Your Happiness in Rio' as a drunk bar patron. Also, Jonathan Freeman who provided the voice for Jafar in Aladdin, makes a small appearance as a ticket taker.

Puppeteers (Franz Liebkind segment)[edit]

• Fran Brill - Pigeon
• Tyler Bunch - Pigeon
• James Kroupa - Pigeon
• Steve Whitmire - Pigeon
• Peter Linz - Pigeon
• Drew Massey - Pigeon
• Joey Mazzarino - Pigeon
• Martin P. Robinson - Pigeon
• Matt Vogel - Puppeteer
• Cody Melton - Wannabe Hitler
• Victor Yerrid - Tom the Cat, Hilda the Pigeon

Soundtrack[edit]

1. 'Overture' - Orchestra
2. 'Opening Night' - Opening Nighters
3. 'We Can Do It' - Max and Leo
4. 'I Wanna Be a Producer' - Leo, Accountants, Mr. Marks and Dancing Chorus Girls
5. 'Der Guten Tag Hop-Clop' - Franz, Max, and Leo
6. 'Keep It Gay' - Roger, Carmen, Max, Leo, and Company
7. 'When You Got It, Flaunt It' - Ulla
8. 'Along Came Bialy' - Max and Little Old Ladies
9. 'That Face' - Leo and Ulla
10. 'Haben Sie gehört das Deutsche Band?' - Franz
11. 'You Never Say Good Luck on Opening Night' - Roger, Carmen, Franz, Max, and Leo
12. 'Springtime for Hitler' - Soldiers, Girls, and Company
13. 'Heil Myself' - Roger and Company
14. 'Springtime for Hitler (Reprise)' - Roger, Ulla, and Company
15. 'You'll Find Your Happiness in Rio' - Samba Band
16. 'Betrayed' - Max
17. 'Til Him' - Max, Leo, and Little Old Ladies
18. 'Prisoners of Love (Broadway)' - Prisoners, Ulla, and Company
19. 'Prisoners of Love (Leo and Max)' - Leo and Max
20. 'There's Nothing Like a Show on Broadway' - Leo and Max
21. 'The Hop-Clop Goes On' - Franz
22. 'Goodbye!' - Leo, Max, Ulla, Franz, Roger, Carmen, Company, Mr. Marks, Accountants, Samba Band, Citizens, Prisoners, Stormtroopers, Dancing Chorus Girls, and Mel Brooks
23. 'The King of Broadway' - Max (deleted scene on DVD)

Reception[edit]

On Rotten Tomatoes the film holds an approval rating of 50% based on 153 reviews, with an average rating of 5.4/10. The site's critical consensus reads, 'Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.' On Metacritic, the film has a weighted average score of 52 out of 100, based on 36 critics, indicating 'mixed or average reviews'. Audiences polled by CinemaScore gave the film an average grade of 'B+' on an A+ to F scale.^[3]

A positive review from Betty Jo Tucker of Reel Talk said: 'Outrageous musical numbers evoke most of the laughs in this movie funfest. Eat your heart out, Rockettes, because here comes a little old ladies’ chorus line (“Along Came Bialy”) to rival your success. Watch out, real-life producers, for an actor named Gary Beach (“Heil Myself”). Never, and I mean never, hire him if you want your play to flop! And stop spinning in your grave, Florenz Ziegfeld. Those “Springtime for Hitler and Germany” showgirls are all in good fun. Finally, congratulations to director Susan Stroman, for making this Broadway gem into a film that old-time movie musical fans like me can cheer about.'^[4]

Nathan Rabin wrote: 'Between the rough start and an ending that lingers too long, there's a solid hour or so of terrific entertainment that serves as both a giddy tribute to Broadway musicals and a parody thereof. Thirty-seven years after Brooks declared war on taste and propriety, 'The Producers' has lost its power to shock or offend, but it's retained its ability to amuse.'^[5]

Roger Ebert cited difficulty in reviewing the film due to familiarity with the original 1967 film. However, he did state that the new version was 'fun' and gave it three out of four stars. Said Ebert: 'The new movie is a success, that I know. How much of a success, I cannot be sure.'^[6]

In addition to these positive reviews, it was nominated for four Golden Globes (including nominations for actors Ferrell and Lane).

Most negative reviews suggested that the performances were tuned more for the theater rather than for film. Stephanie Zacharek observed: 'The Producers is essentially a filmed version of a stage play, in which none of the characters' expressions or line readings have been scaled down to make sense on-screen. Every gesture is played out as if the actors were 20 feet away in real life, which means that, by the time the performers are magnified on the big screen, they're practically sitting in your lap. The effect is something like watching a 3-DIMAX film without the special glasses.'^[7]

Jimmy Kimmel Live sketch[edit]

On February 28, 2016, a five minute short film serving as a sequel to The Producers, entitled Trumped, was released on Jimmy Kimmel LiveProtector de pantalla. , with Nathan Lane and Matthew Broderick reprising their roles as Max Bialystock and Leopold 'Leo' Bloom. The film follows Bialystock & Bloom having formed their own Political Consultants business, which has since fallen on hard times. Bloom realise that under the right circumstances more money can be made from a losing candidate than from a winner. They choose Donald Trump as a candidate, only for him to win the election.^[8]

See also[edit]

References[edit]

1. ^'The Producers (12A)'. British Board of Film Classification. November 30, 2005. Retrieved September 30, 2013.
2. ^ ^abc'The Producers (2005) - Box Office Mojo'.
3. ^'The Producers'. CinemaScore. Retrieved June 3, 2018.
4. ^Tucker, Mark Lubischer and Betty Jo. 'ReelTalk Movie Reviews'.
5. ^The ProducersArchived February 3, 2007, at the Wayback Machine
6. ^Ebert, Roger (December 16, 2005). 'The Producers review'. RogerEbert.com. Retrieved January 26, 2007.
7. ^Zacharek, Stephanie,'The Producers'Archived July 19, 2006, at the Wayback Machine, retrieved January 26, 2007 from salon.com
8. ^“Trumped' Starring Matthew Broderick & Nathan Lane

External links[edit]

The Producers Movie Soundtrack

• The Producers on IMDb
• The Producers at Box Office Mojo
• The Producers at Rotten Tomatoes

The Producers Movie 1968